Wednesday, 16 May 2012

Why Literary Prizes Matter


The winner of the 2012 Orange Prize for Fiction will be announced on Wednesday 30th May at London's Royal Festival Hall, following an event showcasing the six novels on Tuesday 29th May and a celebration of new writing staged in association with Grazia on Monday 28th May. These two events before the Prize itself are part of the OPF's remit both to celebrate established writers and to give a platform for those starting out on their careers.
When the OPF shortlist was announced at the London Book Fair in April, several of the novels shortlisted went into the charts in the UK. For most authors, visibility is key to a book's success. There's a great deal published and although bookshops, online retailers and supermarkets often stock the same selection of titles, it is still hard for readers to know what to try, what not. Most of us, in these time-poor times, tend to stick to favourite authors unless word-of-mouth or the recommendation of family and friends suggests we try something new.
This is why Prizes continue to be so important. The fabulous first week hardback sale of Hilary Mantel's latest novel, Bring Up the Bodies, is testament to how winning a prize (in Mantel's case, of course, winning the Man Booker for Wolf Hall) transforms sales. Readers are ready and waiting! This week, too, the winner of the Independent Foreign Fiction Prize was announced – the octogenarian writer Aharon Appelfeld for Blooms of Darkness. By virtue of winning, a new generation of readers will be introduced to his work. Prizes act as 'word of mouth', they act as an indication of quality, regardless of whether the individual book in question might or might not be to one's individual taste and they promise a reader will not be wasting her or his time. By promoting the Orange Prize shortlist as a whole, we are hoping that readers will try all six. Although our reading tastes differ, our personal preferences differ, there is a satisfaction in reading the whole selection chosen by a particular group of judges in any given year.
This, in the end, is what's important - not simply the recognition for authors, but also the development of new and varied audiences all over the world for work of quality.
Off now to my local Waterstones to buy Blooms of Darkness ....





Monday, 23 April 2012

A reading (not writing!) weekend ...

This weekend, I had the pleasure of reading - yes, actually reading, not writing - two novels, both of which I've agreed to write introductions to the new editions coming out in 2012.  On the surface, they couldn't be more different.  Night Falls on the City by Sarah Gainham is a rediscovered classic of WWII, set in Vienna between 1938 and 1945. Sarah Ames (Gainham was the surname of her maternal grandmother) was an English journalist who moved to Austria in 1947 and lived there, with one or two brief escapades, for the rest of her life. She was a respected European correspondent, wrote many novels and works of non fiction, but this was her major work. First published in 1967, it was a huge international bestseller for many months when it was first released, but has been out of print for some years. Gainham herself died in 1999. The second novel is one of Ian Fleming's fourteen 007 novels - The Spy Who Loved Me - the only one of his thriller, spy novels not told through the eyes of James Bond himself.

Reading the novels and researching the authors themselves, the context in which each novel was written, it was amusing to discover than not only had Gainham written spy thrillers herself, but also that her second husband and Fleming were friends, colleagues, and they had known each other well.  It was an interesting - surprising - reminder of how most authors are not, first and foremost authors.  At least, not at the beginning. Mostly, we have other jobs and use the experiences of our 'real' working lives to fuel our fiction and our writing interests.  The Fleming is short - quick, pacy, a single episode - whereas the Gainham is a substantial, beautiful piece of writing that covers many years and many pages.  But both were a treat on a (mostly) wet weekend and I hope when they are reissued, you will find as much pleasure in them as I did.




Tuesday, 17 April 2012

Orange Prize and the London Book Fair

In a matter of hours, I will stand up in the PEN literary cafe at the London Bookfair and introduce the seventeenth Chair of Judges of the Orange Prize for Fiction, the wonderful Joanna Trollope.  The London Book Fair holds a special place in my heart for me as a reader.  It was there, nearly ten years ago, that my agent Mark Lucas sold the idea of Labyrinth to a range of publishers - OrionLattes in France, Unieboek in Holland, Droemer Germany, Piemme in Italy - and I discovered there was lots of interest: that we might, actually, have something.  Of course, I still had to carry on and finish, but being late at the fair and knowing that there would be different language editions all around the world, was one of my most treasured experiences as an author.
It's where, too, that we announced the very first Orange Prize for Fiction longlist (not shortlist, the dates were different then).  We were in a tatty side room and the lectern so big that I had to stand on a box.  It would be tempting to say it was a box for Jaffa oranges but, in truth, I can't remember.  Only that - and some journalists remember witnessing this - my foot went through.
Today's shortlist - after a particularly well received and popular longlist of 20 titles released in March - is one of the strongest to date.  This, in part, reflects the sheer quality of fiction written by women throughout the world in this 'prize' year, but also the conscientiousness, the seriousness and the purposefulness with which this year's years - Joanna TrollopeLisa AppignanesiNatalie HaynesVictoria Derbyshire and Natasha Kaplinsky - approached the task of, between them, reading some 140 novels and discussing them. It's a list that contains a previous OPF winner, a previous Man Booker winner, the oldest ever shortlisted author and, extraordinarily, three books published by the same UK publisher.
This the 2012 Orange Prize for Fiction Shortlist:
Esi Edugyan Half Blood Blues (Serpent's Tail)
Anne Enright The Forgotten (Waltz Jonathan Cape)
Georgina Harding Painter of Silence (Bloomsbury)
Madeline Miller The Song of Achilles (Bloomsbury)
Cynthia Ozick Foreign Bodies (Atlantic Books)
Ann Patchett State of Wonder (Bloomsbury)
Happy Reading ...